This is a painting by Claude Clark in 1915. He was born in Georgia and is African American. He has painted many paintings relating to his heritage. This painting "Slave Lynching" is a direct statement about the agony slaves in this country endured. As you see the slave is tied by the hands to a wood post facing the crowd with no clothes on (I cannot tell if the red pigment on her body is clothing or blood). The slaveholder is depicted in a forward motion about to whip the slave over and over. I really like that Claude Clark depicts this painting in front of an enormous crowd watching because it is often stated in history that slave owners lynched slaves in front of others as a tactic of fear and intimidation. I believe Clark used vibrant colors such as red and orange to stir the mood up as one of pain and agony. This is not a pleasant or happy painting to look at, but is part of our country's history we cannot ignore. Clark does a great job of incorporating all the feelings slaves endured by this painting showing the manipulation and control the white slave holders had over slaves of this time.
Monday, November 15, 2010
Slave Lynching
This is a painting by Claude Clark in 1915. He was born in Georgia and is African American. He has painted many paintings relating to his heritage. This painting "Slave Lynching" is a direct statement about the agony slaves in this country endured. As you see the slave is tied by the hands to a wood post facing the crowd with no clothes on (I cannot tell if the red pigment on her body is clothing or blood). The slaveholder is depicted in a forward motion about to whip the slave over and over. I really like that Claude Clark depicts this painting in front of an enormous crowd watching because it is often stated in history that slave owners lynched slaves in front of others as a tactic of fear and intimidation. I believe Clark used vibrant colors such as red and orange to stir the mood up as one of pain and agony. This is not a pleasant or happy painting to look at, but is part of our country's history we cannot ignore. Clark does a great job of incorporating all the feelings slaves endured by this painting showing the manipulation and control the white slave holders had over slaves of this time.
Radical Equality
This is a lithograph portraying a controversial incident in which President Theodore Roosevelt invited Booker T. Washington in 1901 to dinner at the White House. At the time because it seemed to be radical to have an African American guest eat dinner with the President inside the White House. Of course nowadays we can argue of the lunacy regarding the controversy, yet at the time it was called by The Memphis Scimitar “the most dimmable outrage which has ever been perpetrated by any citizen of the United States.” Even the former President Grover Cleveland (who Washington claims to admire in his book Up from Slavery) declared that “he had never done such a thing as invite a black man to dinner in that house.” I think it’s important to note that even in the 20th century presidents who had African American guests were criticized for it. The lithograph shows how the dinner represented the equality stated in the 13, 14, and 15th amendments. However, the controversy following this dinner represented that the country was not ready for radical movements toward equality (we have to remember Booker T. Washington was liked by the mainstream Southern population). The lithograph also shows a portrait of Abraham Lincoln in the middle of both Washington and Roosevelt. I think it signifies the role Lincoln played in the “equality” of the former slaves. I think it also represents how this specific dinner shows how the country was moving towards that equality (beginning with the Emancipation Proclamation) even if the majority of the country was not ready for “radical” occurrences. I think I can argue though, that although because of segregation (which was not eradicated until the Civil Rights Movement) equality between both races had to be a radical process, but the whole country itself had radical movements (like the KKK who is a very radical organization uprooted around this time period). I found this lithograph at The New York Times “Week in Review” section (http://www.nytimes.com/2008/11/09/weekinreview/09harris.html?_r=1) . This article connected the inequality of the nation with the election of President Barack Obama. Published in November 8, 2008.
Wednesday, November 10, 2010
Ku Klux Klan Cross Burning
To the left is a typical cross burning by the Ku Klux Klan. This took place in Gainesville, FL around 1922. Although this burning took place past the time of Booker T. Washington's autobiography, it is a perfect representation of the destruction and suffering they caused. Their uniforms alone strike fear in that they look like ghosts, but the fact that they surround themselves with the symbol of a cross is somewhat ironic. The actions of the KKK were of pure hatred for another group of men. A cross has many symbols including Christianity and sacredness, neither of which align with the actions of the KKK.
Tuesday, November 9, 2010
Inside A Classroom
To the right you can see a picture of a classroom taken in Tuskegee in 1902. I got this picture from a website that is a little bit of a puzzle website. It gives you a picture form the historical archives changes a few things and makes you guess the changes. Not that it's really necessary to do the activity but it was fun for anyone who wants to try. Also theres a bigger picture that lets you see the details in the photo which I find really nice since the blog shrank it. So here is the website if you want a better look at the photo I recommend pasting this into your browser> http://historymatters.gmu.edu/text/puzzle5ans.htmlWednesday, November 3, 2010
African American Folklore Embroidery
As we just finished up the unit on African Folklore I wanted to share with the class an example of an African American Folklore Embroidery! This is teaching the next generation to stitch with enthusiasm and creativity! When designs are complete, they can be turned into purses, backpacks, pillows, quilts and clothes. The embroidery kit includes a braid of bright African threads and you pull out from the top of the braid your color choice. The meaning of the embroidery is full of color because it is important to gratify and give thanks to color. That means Africans were chastized for so long for being not of the "ivory complexion" like Caucasians, that they are celebrating their heritage by embroidering these tote bags etc. with vibrant authentic african threads to enjoy and celebrate their culture and heritage. This is a very intriguing tradition!

The Artist who painted this is Kenneth Calvert. His work expresses the struggles and difficult views of the natural world. In this painting the slave girl rebels to read and write. This painting is a moment of great courage to secretly write a letter when at the time reading and writing was a crime.